Custom beats

Built for one record.

A producer builds from nothing around your record. Six questions decide whether the call is worth booking.

The build

A licence buys a beat that exists. That is cheaper and right for most records, and the survey says so when your budget does.
A build is written to your reference, key and vocal, revised against what you send back.
Stems you own, on terms agreed before a note is written.
Mixed and mastered in house by Thirty1, so beat and finished record come out of one room.

Producers

Sean Hamad
Producer, Sonic Architect
Programs the lists himself rather than delegating to a submission filter, which is the reason they sound like anything at all. Takes custom production in blocks, and will tell you when a record does not need him.
Thirty1
Producer, Mix and Master
The one you want when the reference is a rhythm rather than a mood. Handles mixing and mastering for the house, so a commissioned beat and the finished record come out of the same room.

One of six

What is the budget for this beat?

Asked first, because it decides whether this is a custom build or a licence off the shelf.